This Mortal Coil was the given name of a strictly-studio project that spawned three albums, conceived and produced by one-time 4AD founder Ivo Watts-Russell.
Over the span of eight years he, along with Blackwing Studios house engineer/ co-producer, John Fryer, and a rotating cast of musicians, created original works,
musical links and reinterpretations of impeccably curated songs; introducing a new audience to the talents of a previous generation including
Big Star, Tim Buckley, Roy Harper, Spirit, Gene Clark, Dino Valenti, Rain Parade, Emmylou Harris, Syd Barrett and Colin Newman, amongst others.
The new deluxe vinyl versions differ from the original releases with each album having had its artwork reimagined by Ivo Watts-Russell and
Vaughan Oliver (4AD’s long-time visual partner). All three are now presented in beautiful, hand finished and high-gloss gatefold sleeves,
using remastered audio made from the original analogue studio tapes by the late, great John Dent. This Mortal Coil’s debut album It’ll End In Tears (1984) forged the template; helping to crystallise 4AD’s emerging signature sound whilst shining a light on some of their stable with Cocteau Twins, Colourbox, Dead Can Dance and The Wolfgang Press all involved. The line-up was completed by arranger Martin McCarrick, violinist Gini Ball, Howard Devoto of Buzzcocks / Magazine fame and Cindytalk’s Gordon Sharp. Pitchfork recently named it one of the best Dream Pop albums ever, a moment which “catalysed 4AD’s ascendance from the stilted poetics of goth rock to the kings of gauzy transcendence.”